{"id":1144,"date":"2022-06-28T08:18:47","date_gmt":"2022-06-28T08:18:47","guid":{"rendered":"https:\/\/mabilus.com\/bibliografia\/"},"modified":"2022-10-04T11:45:26","modified_gmt":"2022-10-04T11:45:26","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/mabilus.com\/ca\/bibliografia\/","title":{"rendered":"Bibliografia"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1144\" class=\"elementor elementor-1144 elementor-406\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-731beec elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"731beec\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-79b9bb3\" data-id=\"79b9bb3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3e96bde elementor-widget elementor-widget-spacer\" data-id=\"3e96bde\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0fed968 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0fed968\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-66621c0\" data-id=\"66621c0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a58149b elementor-widget elementor-widget-heading\" data-id=\"a58149b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Bibliografia<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8d5a413 elementor-widget elementor-widget-text-editor\" data-id=\"8d5a413\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p align=\"left\">J. Abt, M. A.Fusco, \u201cA Byzantine Scholar\u2019s Letter on the Preparation of Manuscript Vellum\u201d, <i>Journal of the American Institute for Conservation<\/i>, 28 (2) (1989), 61-66<\/p>\n<p align=\"left\">M. Aceto et al., \u201cFirst analytical evidences of precious colourants on Mediterranean illuminated manuscripts\u201d, <i>Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy<\/i>, 95 (2012), 235-245<\/p>\n<p align=\"left\">G. de Andr\u00e9s Mart\u00ednez, C<i>at\u00e1logo de los c\u00f3dices griegos de la Real Biblioteca de El Escorial II. C\u00f3dices 179-420 <\/i>, Madrid, 1965<\/p>\n<p align=\"left\">G. de Andr\u00e9s Mart\u00ednez, <i>Cat\u00e1logo de los c\u00f3dices griegos de la Real Biblioteca de El Escorial III. C\u00f3dices 421-649 <\/i>, Madrid, 1967<\/p>\n<p align=\"left\">G. de Andr\u00e9s Mart\u00ednez, <i>Cat\u00e1logo de los c\u00f3dices griegos desaparecidos de la Real Biblioteca de El Escorial<\/i>, San Lorenzo de El Escorial, 1968<\/p>\n<p align=\"left\">G. de Andr\u00e9s Mart\u00ednez, <i>Cat\u00e1logo de los c\u00f3dices griegos de la Biblioteca Nacional<\/i>, Madrid, 1987<\/p>\n<p align=\"left\">G. de Andr\u00e9s Mart\u00ednez, <i>El himno Akathistos (edici\u00f3n facs\u00edmil y libro de estudios)<\/i>, 2 vol., Madrid, 1981<\/p>\n<p align=\"left\">A. Antonaras, <i>Arts, Crafts and Trades in Ancient and Byzantine Thessaloniki Archaeological<\/i>, <i>Literary and Epigraphic Evidence<\/i>, Heidelberg, 2016<\/p>\n<p align=\"left\">H. Buchtal, \u201cA School of Miniature Painting in Norman Sicily\u201d, <i>Late Classical and Medieval Studies in honor of A. M. Friend Jr.<\/i>, Princeton, 1955, 312-339<\/p>\n<p align=\"left\">H. Buchtal, \u201cA Greek New Testament manuscript in the Escorial Library: its miniatures and its binding\u201d, I. Hutter (ed.), <i>Byzanz und der Westen &#8211; Studien zur Kunst des europ\u00e4ischen Mittelalters,<\/i> Viena, 1984, 85-98<\/p>\n<p align=\"left\">H. Buchthal, H. Belting, <i>Patronage in the Thirteenth Century Constantinople. An Atelier of Calligraphy and Book Decoration<\/i>, Washington, 1978 (Dumbarton Oaks Studies 16)<\/p>\n<p align=\"left\">J. Burke, \u201cThe Madrid Skylitzes as an Audio-Visual Experiment\u201d, J. Burke (ed.), <i>Byzantine Narrative: Papers in Honour of Roger Scott<\/i>, Melbourne, 2006, 137-148<\/p>\n<p align=\"left\">E. Boeck, I<i>magining the Byzantine Past: the Perception of History in the Illustrated Manuscripts of Skylitzes and Manasses<\/i>, Cambridge University Press, 2015<\/p>\n<p align=\"left\">P. Canart, \u201cLe livre grec en Italie m\u00e9ridionale sous les r\u00e8gnes normand et souabe: aspects mat\u00e9riels et sociaux\u201d, <i>Scrittura e Civilt\u00e0<\/i>, 2 (1978), 103-162<\/p>\n<p align=\"left\">M. A. Cort\u00e9s Arrese, (ed.), <i>Bizancio en Espa\u00f1a. De la Antig\u00fcedad tard\u00eda a El Greco<\/i>, <i>Museo Arqueol\u00f3gico Nacional<\/i>, Madrid, 2003<\/p>\n<p align=\"left\">M. Cort\u00e9s Arrese, I. P\u00e9rez Mart\u00edn, (ed.), <i>Lecturas de Bizancio. El legado escrito de Grecia en Espa\u00f1a. Cat\u00e1logo de la Exposici\u00f3n<\/i>, Madrid, Biblioteca Nacional &#8211; Ministerio de Cultura, 2008<\/p>\n<p align=\"left\">L. Gil Fern\u00e1ndez, <i>Panorama social del humanismo espa\u00f1ol <\/i>(1500-1800), Madrid, 1981<\/p>\n<p align=\"left\">A. Grabar, M. Manoussacas, <i>L\u2019Illustration du manuscrit de Skylitzes de la Biblioth\u00e8que Nationale de Madrid<\/i>, Venezia, 1979<\/p>\n<p align=\"left\">G. Gregorio, <i>Il copista greco Manouel Malaxos<\/i>, Citt\u00e0 del Vaticano, 1991<\/p>\n<p align=\"left\">C. H. Graux, <i>Essai sur les origines du fonds grec de l\u2019Escurial : \u00e9pisode de l\u2019histoire de la rennaissance des lettres en Espagne<\/i>, F. Vieweg, 1880 (trad. esp. 1982)<\/p>\n<p align=\"left\">S. Kroustallis, \u201cThe technical treatise of the Codex Matritensis 19 and the transmission of art technology in Middle Ages&#8221;, R. Cordoba de la Llave (ed.), <i>Craft treatises and handbooks: the Dissemination of technical knowledge in the Middle Ages<\/i>, Turnhout, Brepols, 2013, 69-84 (De Diversis Artibus 91)<\/p>\n<p align=\"left\">T. Mart\u00ednez Manzano, Teresa, \u201cDe Corf\u00fa a Venecia: el itinerario primero del Diosc\u00f3rides de Salamanca\u201d, <i>Medioevo greco<\/i> 12 (2012), 133-154<\/p>\n<p align=\"left\">T. Mart\u00ednez Manzano, \u201cEncuadernaciones de los c\u00f3dices griegos del Escorial\u201d, <i>Scriptorium <\/i>70 (2016), 253-284<\/p>\n<p align=\"left\">T. Manzano, <i>De Bizancio al Escorial<\/i>, M\u00e9rida, 2015<\/p>\n<p align=\"left\">R. S. Nelson, J. Lowden, J., \u201cThe Palaeologina Group: Additional Manuscripts and New Questions\u201d, <i>Dumbarton Oaks Papers<\/i> 45 (1991), 59-68<\/p>\n<p align=\"left\">S. Panayotova (ed.), <i>Colour. The Art and Science of Illuminated Manuscripts<\/i>, Harvey Miller, 2016<\/p>\n<p align=\"left\">I. P\u00e9rez Mart\u00edn, P. B\u00e1denas de la Pe\u00f1a, <i>Bizancio y la Pen\u00ednsula Ib\u00e9rica. De la Antig\u00fcedad tard\u00eda a la Edad Moderna<\/i>, CSIC, Madrid, 2004<\/p>\n<p align=\"left\">I. P\u00e9rez Mart\u00edn, \u201cEncuadernaciones bizantinas en los manuscritos griegos de Espa\u00f1a\u201d, N. Tsironi (ed.), <i>The Book in Byzantium. Byzantine and Post-Byzantine Bookbinding<\/i>, Atenas, 2008, 277-324<\/p>\n<p align=\"left\">I. P\u00e9rez Mart\u00edn, A. B., Mu\u00f1oz Mart\u00ednez, \u201cEl Tetraevangelio Escorial Y.III.7: un ejemplo de la influencia de la pintura de iconos en la ilustraci\u00f3n de c\u00f3dices de \u00e9poca pale\u00f3loga\u201d, <i>Nea Rhomi<\/i> 6 (2009), 477-495. a. 1282<\/p>\n<p align=\"left\">I. P\u00e9rez Mart\u00edn, \u201cThe Escorial Akathistos: The Last Manuscript Illuminated in Constantinople\u201d, <i>Italia Medioevale e Umanistica<\/i> 52 (2011), 227-262<\/p>\n<p align=\"left\">I. P\u00e9rez Mart\u00edn, \u201cUn livre d\u2019heures grec illustr\u00e9: Escorial X.IV.16\u201d, C. Gastgeber, et al. (ed.), <i>Pour l\u2019amour de Byzance. Hommage \u00e0 Paolo Odorico<\/i>, Frankfurt am Main, Peter Lang Edition, 2013, 175-189 (Eastern and Central European Studies 3)<\/p>\n<p align=\"left\">A. Revilla, <i>Cat\u00e1logo de los c\u00f3dices griegos de la Real Biblioteca de El Escorial. C\u00f3dices 1-178<\/i>, Madrid, 1936<\/p>\n<p align=\"left\">R. Schneider, <i>Griechische Poliorketiker<\/i>, Berlin, 1908<\/p>\n<p align=\"left\">I. Spatharakis, <i>Corpus of dated illuminated Greek manuscripts to the year 1453 <\/i>(Byzantina Neerlandica, 8\/1-2), Leiden, 1981<\/p>\n<p align=\"left\">I. Spatharakis, <i>The Pictorial Cycles of the Akathistos Hymn for the Virgin<\/i>, Leyden, Alexandros Press, 2005, 74-82<\/p>\n<p align=\"left\">V. Tsamakda, <i>The Illustrated Chronicle of Ioannes Skylitzes in Madrid<\/i>, Leiden, 2002<\/p>\n<p align=\"left\">V. Tsamakda,<i> A Companion to Byzantine Illustrated Manuscripts<\/i>, Leiden-Boston, 2017<\/p>\n<p align=\"left\">A. Tselikas (ed.), <i>Joannis Scylitzae Synopsis Historiarum: Codex Matritensis Graecus Vitr. 26-2<\/i>, edici\u00f3n facs\u00edmil, Athenas, 2000<\/p>\n<p align=\"left\">T. Velmans, \u201dDeux manuscrits enlumin\u00e9s in\u00e9dits et les influences r\u00e9ciproques entre Byzance et l&#8217;Italie au XIVe si\u00e8cle\u201d, <i>Cahiers arch\u00e9ologiques<\/i>, 20 (1970), 207-233<\/p>\n<p align=\"left\">N. Wilson, \u201cThe Madrid Scylitzes\u201d, <i>Scrittura e Civilt\u00e0<\/i>, 2 (1978), 209-219<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Bibliografia J. Abt, M. A.Fusco, \u201cA Byzantine Scholar\u2019s Letter on the Preparation of Manuscript Vellum\u201d, Journal of the American Institute for Conservation, 28 (2) (1989), 61-66 M. Aceto et al., \u201cFirst analytical evidences of precious colourants on Mediterranean illuminated manuscripts\u201d, Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 95 (2012), 235-245 G. de Andr\u00e9s Mart\u00ednez, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1144","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/pages\/1144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/comments?post=1144"}],"version-history":[{"count":2,"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/pages\/1144\/revisions"}],"predecessor-version":[{"id":1147,"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/pages\/1144\/revisions\/1147"}],"wp:attachment":[{"href":"https:\/\/mabilus.com\/ca\/wp-json\/wp\/v2\/media?parent=1144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}